![]() Layout custom formatted text, including metadata values from the source media. ![]() Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. ![]() Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. If you’re new to EditReady, you can download a trial version here and then decide to purchase a Single License for $79.įor more information about this release, please visit Hedge’s blog here.ĭo you already use EditReady for transcoding? What do you think of this 22.Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes. The update is free for all existing users who renewed their license or have purchased a new one within the past 12 months. This improvement also applies to BRAW files shot on the Leica SL2-S, which recently gained the ability to output 12-bit RAW data over HDMI. Image credit: Leicaįinally, Hedge claims that transcoding of Blackmagic RAW files is now faster with EditReady 22.3. EditReady exploits the math behind it to properly convert ARRIRAW files from the ALEXA 35 into an edit-friendly codec of your choice. This includes a new gamma curve (LogC4) and wide-gamut color space (AWG4). Along with the camera, ARRI introduced the new REVEAL color science. Freshly released at the end of May, the company’s new flagship Super 35 mm cinema camera features a completely redesigned 4.6K sensor with an astonishing claimed dynamic range of 17 stops. Moreover, the 22.3 update welcomes the new ARRI ALEXA 35 to the list of supported cameras. According to Hedge, the software makes use of Canon’s own color science to provide an accurate conversion. This enables better handling of the footage during the editing process. EditReady users can now transcode this RAW data into a mezzanine file format, such as ProRes. This can be found on a vast range of Canon products, going from high-end cinema models (such as the C500 Mark II, C300 Mark III, and C200) to the 8K-capable EOS R5 C mirrorless camera. The new EditReady 22.3 introduces support for Canon’s own compressed file format, called Canon Cinema RAW Light. Image credit: ARRI EditReady 22.3: now supporting Canon Cinema RAW Light and ALEXA 35 Indeed, it embraces the popular Canon Cinema RAW Light format as well as the long-awaited ARRI ALEXA 35. The latest version of the software further expands the list of supported file types. Now, the company is introducing EditReady 22.3. Just a few months ago, EditReady 22.2 brought support for Sony Uncompressed RAW and X-OCN formats, along with the new Color Conversion panel. It allows users to convert original footage from a variety of different camera models into more manageable, edit-friendly files. ![]() The update is available now and is free for all existing users.ĮditReady is an increasingly popular transcoding solution developed by Hedge. Hedge has recently released EditReady 22.3 with added support for Canon’s compressed RAW format and ARRI’s flagship Super 35 mm camera, the ALEXA 35.
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